Sunday, June 27, 2010

Messy Marv "Ozone Magazine" by Julia Beverly


Everybody knows you’re a West Coast dude, but you’ve been moving around a lot lately. Did you just need a change of scenery?As a whole, [artists] in the Bay Area are just content with where we are. That’s just my opinion. I fuck with a lot of different people around the world, and I’m out networking and trying to build my brand.
Do you think living in different places affects your style of music?I don’t feel like I have a particular sound. You’re gonna hear a little South, a little Midwest, a little East, and you’re definitely going to hear the West cause that’s where I’m from. That’s the problem, man, everybody’s caught up in how you’re “supposed” to sound. I ain’t caught up in none of that shit, man. I’m me. I ain’t got nothing to prove. Every time I drop, I sell a substantial amount of units, so I’m good.
How do you think you’re able to maintain that kind of fanbase without a major label behind you and without having that mainstream look?
Because I’m out here networking. I built my worth.
Are you going to get out and start doing more shows now? You don’t give the people too many opportunities to see you. And you’re in high demand because of that fact.
I’m planning my 30-city tour right now. But before I do that, I’m building my online presence. I’m doing a radio show. I’m on Twitter, Facebook, and Myspace. I’m going to get out here and give the people what they’ve been waiting for.
What’s going on with you and San Quinn? The beef was pretty ugly at one point but you recently mentioned on Twitter that you guys had squashed it. How were you able to get to that point?
People have different opinions on everything. Quinn had an opinion on how he felt I should’ve handled some things, and I had my opinion on how I felt he should’ve handled some things. It escalated when the media and the people grabbed ahold of it. You know how that shit goes. But mutual friends of ours have been trying to squash it since day one. Me and Quinn ain’t even talked yet. Things take time. Whenever he comes around, or whenever I come around, we can sit down and talk. But for now we’re just going through our mutual friend from the turf and just putting it all behind us. But really, it wasn’t no beef – it was just two opinions being stated and just how two men felt at the particular time.
Is there anything else that needs to be hashed out or are you just ready to move forward and forget the whole situation?
I would like to do that, to just move forward and forget about the situation, but things take time. Wounds take time to heal, especially ones like these. So whenever we decide to come around and sit down, we will.
Why did you feel like it was important to squash it?
The beef didn’t affect me when it came to record sales or nothing like that. I do remarkable numbers independently anyway. It was just getting out of hand, and Quinn felt the same way. When shit like this happens, innocent people can get fucked up. So we’re coming together to let these kids know, and let the people know, we’re bigger than rap music. We’re gonna put our differences to the side and move forward like men. That doesn’t mean me and San Quinn are gonna hang out every day. You might not catch me at McDonald’s sitting down with the nigga eating no cheeseburger or nothing. But we’re definitely gonna put our differences to the side and squash this shit like men do and move forward with what you’re doing.
Is it your ultimate goal to be on a major label with your video all over TV and your songs all over the radio? Or are you more comfortable being in theunderground position you’re in, still selling independent units?I’m a street nigga, so the hustle is in me. Independently, I feel like this is what I’ve got to do because this is what I know. Of course I wanna take it to another level as far as media, publications, and sales. But I’m not gonna just make commercial music and chase million-dollar dreams. I’ve had paperwork in my face for two million, three million. I turned those deals down just based on what they want to take from me and what I’ve built.
What did they want to take from you? Publishing?
Publishing. How many albums they want, what I’m limited to do, just [giving up] the freedom I have as an independent. They wanted to take that all away from me for that little amount of money. That few million is a little amount of money. I can make that in a year. Last year I released 100 songs. I don’t remember how many albums – five, I think. [I sold] over 50,000 at $6/unit, so that deal didn’t look like shit to me. I definitely would like to further my career but I’m not gonna make commercial music tryin’ to chase this muthafuckin’ dream that might not even turn into reality. I’m gon’ keep this shit solid. I keep the people feeling like I’m one of them, because I am. That’s why I’ve been so successful. I’m one of the people they recognize and they’re like, “I’m just like that nigga.” That’s why my core fanbase won’t let me die. I ain’t did a show in three years, but I’m able to maintain my sales and my presence through the internet, the publications, and the media. That’s just a blessing. The fans won’t let me die.
What project are you working on now?
I just dropped Highly Aggressive Volume 2 yesterday. I’ve got a documentary and a soundtrack coming out called Gigantic, which is the untold Messy Marv story behind the rapper, the entertainer, the father, the gangster. There’s a lot of educational Bay Area history in there too. I shot and directed my reality show Mr. Ghetto Celebrity. I’ve got my clothing line coming soon. Right now I’m working on a new LP called The Cooking Channel. I’m working every day.
You also seem to change your phone number every other day. It doesn’t seem like that’d be good for business.
I got a 1-800 number that I keep steady for business. That’s on 24 hours so I don’t ever miss the networking and business call. But when you’re dealing with a personal line, you’ve got to keep the line clean and avoid the bullshit. Somebody’s negative energy can suck up all the positive energy out of you. I’ve got muthafuckers calling asking for Sprint bill money and telling me their bitch done ran off. I don’t wanna hear none of that shit, man. My business associates and my homies keep my line. But everybody else, once they wanna suck the positive energy out of a nigga with that bullshit, I change my number.
When you go out on tour, who else from the Bay do you plan on performing with? What’s your take on the current Bay Area movement?
I feel like everybody’s representing. Everybody’s got a part they play, whether it’s the old Bay or the new Bay. I just feel like we’re at a standstill because everybody feels like they can’t leave the Bay Area. So everybody ends up with the same production and the same graphic designer doing their cover. That means everybody looks and sounds the same. Then you get everybody putting each other on the album, so you’ve got the same features. Everybody’s fuckin’ with the same jeweler. Niggas are buying the same outfits from the same clothing store. Nobody knows who is who. It’s 400 muthafuckin’ rappers and they all look and sound the same.
Do you think it’s lack of ambition or just being too comfortable?
I guess everybody’s comfortable with it, and I ain’t knockin’ it. But I’ma tell the world a different story as far as the Bay Area. But I ain’t mad. Everybody’s playing a part. Everybody’s representing, and that’s what it is.
Have you officially changed your name to The Boy Boy Mess or is that basically just an alias of Messy Marv?
I officially changed my name to The Boy Boy Young Mess ‘cause I officially changed as a person, as a whole. I’m always gon’ be Messy Marv, but it’s the new Mess. It’s the Mess that got up out of that jail. It’s the Mess that moved out of those conditions. It’s the Mess that outgrew a lot of people in a lot of situations. It’s the Mess that couldn’t get rich in the Bay Area and had to move up out of that muthafucker to get his pennies. The new Mess.
You’ve been pretty open in the past about your struggles with drug abuse. Have you moved past that?
Yeah, I’ve been clean for two years now, no drugs. I didn’t go to rehab. Rehab is for weak people. I did mine based on discipline. I smoked the fuck out of some weed, though, and had a drink or two, but as far as the party drugs, I don’t fuck around.
What prompted you to decide to quit?
Just transitioning into The Boy Boy Young Mess and this new person. That came along with the transition.
In retrospect, do you feel like your drug use was affecting your career?
I mean, people have opinions. They say, “Aw don’t deal with him, he fuck with dope,” or they’re scared to fuck with me. I hate them putting out there like that, but it never affected my career. It affected me, just because I was indulging. But I had one of the biggest singles in the Bay Area, “Playing With My Nose,” just talking about addiction and having fun with it and letting everyone know that I’m not ashamed of being who I am. It was big. Snoop Dogg even quoted me on the new album from that song, so I know it reached a lot of people. I wasn’t trying to promote drugs, I was just having fun with my addiction. But that shit is behind me. I’ve been clean, I’m doing great, and I’m healthy. I’ve got my son full-time now, so I can’t fuck around.
Is there anything else you wanted to add?
Yeah, check me out at Twitter.com/TheBoyBoyMess, Facebook.com/TheBoyBoyMess, Myspace.com/MessyMarvOnline, and for any merchandise log onto ScalenLLC.com. //

Song for the day ! Scarface "Dopeman Muzik " feat Monk Kaza_

III rd Ward Stand Up! This iz my life/movie Gotta Respect G shit ... 

Banned from KBXX 97.9, Trae tha Truth takes his case courtside.


July 22, 2009 was the second annual Trae Day, a day devoted to honoring Trae tha Truth, one of Houston's own rappers, known as much for his philanthropic efforts as for the menace in his lyrics.It was started the year before by then Mayor Bill White and the City of Houston — Trae became the first rapper in the city's history to earn his own day. A full-on family festival was organized by Trae's camp to crown the occasion, more than 10,000 people showed up to pat him on the back. It was a complete, unexpected success.
2009's Trae Day was to follow suit. And it mostly did. Mostly.
The second Trae Day was held in a TSU parking lot, this time with the attendance reaching up past 15,000. There were free pony rides, school supplies, moonwalks, HIV testing, immunizations and more. Trae financed a bulk of the event. Acclaimed rappers Rick Ross and Shawty Lo showed up to lend their support. So did Bun BSlim Thugand a whole host of others.
The one flicker of disruption that occurred — a few kids tugging at a backpack that had been tossed into the crowd from the stage during one of the performances — was quickly snuffed out by Trae himself. For five and a half hours, there was no anarchy anywhere. And then it was everywhere.At approximately 8 p.m., the fire marshal called a premature end to the celebration because of overcrowding. A snarl of traffic congested the surrounding streets. A sizable crowd, thick with children and teenagers, stood waiting in the parking lot for the traffic to die down. That's when Albert Walker Mondane and an unspecified number of others opened fire on them. Everyone scattered. Eight people were shot. The victims ranged in age from 14 to 21 years old.
Trae was both heartbroken and irate.
"I really hurt the most when I found out what happened," says Trae. "To see them kids' faces before, to know what it meant for them and to know what that meant for the city to have that day, for that to get overshadowed...I knew that's what was gonna be put out. I was pissed, but hurt more."
Trae spent the evening and following days conducting a hailstorm of interviews regarding the unfortunate ending to what was an otherwise fortunate day of communal merriment and pride.
He inevitably made his way in front of the DJs at the Madd Hatta Morning Show, the weekday morning team on KBXX (a.k.a. The Box), 97.9 FM, a Radio One-owned company operating as the only hip-hop and R&B station in Houston. The interview quickly grew cantankerous when on-air personality Nnete Inyangumia implied that Trae was at fault for the shootings, contending that acts of violence were inherent in his music.
Now, this isn't exactly an altogether off-the-mark observation.
Trae's music is significant for any number of reasons, but mainly this: It makes accessible not only the worst parts of the guts of a major American city, but also the psyche of a man intelligent enough to thrive there. To listen to it is to live on the 8900 block of Braeswood, except you don't have to worry about getting your shit took.
There is no better long-form example of this than Restless, his third official LP. There is an ambient feeling of depression throughout the album (though it's not driven by it). Even the songs that aren't explicitly about something awful happening to someone Trae loves — theJim Jones-aided "Coming Around The Corner," "Pop Trunk Wave" and "Cadillac" — are tinged with just enough desolation that they seem to serve only as stopgaps between bouts of depression and suffering.
And if this were the only thing you knew about the album, or Trae for that matter, you'd be forgiven for assuming it would be good for nothing more than serving as the soundtrack to blowing your brains out. But Trae presents that despondency in an artful and willfully expressive manner.
Where many Houston MCs get lost in either the trappings of the city's caricatured regional culture or hard-life talk, Trae can talk about both worlds. He possesses the authority to talk about street life that Paul Wall doesn't have, as well as the unreserved cockiness to talk about fancy cars and jewelry, things street-talk legend Scarface has always avoided.
Trae is a hardened man, with the vast potential to be bulldozing when he chooses. That seems inarguable. He was caught in a minor controversy when he punched rapper Mike Jones in the nose at the Ozone Awards in 2007, a situation he later publicly apologized for. And violence, or any other aspect of inner-city life for that matter, is a natural subject of his music. But it's not a natural extension of it.
The remainder of that morning's interview played out in the same tense manner in which it began. Trae called back afterwards off the air to express his displeasure with the route the interview took. Still, three months afterwards, no one on either side appeared outwardly concerned with anything.
Enter The Incredible Truth.
The Incredible Truth is a mixtape Trae released in October of 2009. One minute and 24 seconds into the tape's sixth song, Trae lobbed a grenade at Nnete, rapping about her weight, "Look at you with your bad built ass, you're trash, so far gone you ain't even in the past. It's understood when I'm rolling on glass and the world hating on me like Nnete's fat ass."   _ 
trae 1st 48

Saturday, June 26, 2010

"Everybody Lookin" Gucci Mane

"Sunshine on me" Travis Porter

Behind the Scenes of Blowin Money Fast video shoot

Teflon Don tracklisting & artwork! Ricky Rozay


01. I’m Not A Star (Produced by J.U.S.T.I.C.E. League)
02. Free Mason (feat. Jay-Z) (Produced by The Inkredibles)
03. Tears Of Joy (feat. Cee-Lo)
04. Maybach Music III (feat. T.I., Jadakiss & Erykah Badu) (Produced by J.U.S.T.I.C.E. League)
05. Live Fast, Die Young (feat. Kanye West) (Produced by Kanye West)
06. Super High (feat. Ne-Yo) (Produced by DJ Clark Kent & The Remedy)
07. No. 1 (feat. Trey Songz & Diddy)
08. MC Hammer (feat. Gucci Mane) (Produced by Lex Luger)
09. B.M.F. (Blowin’ Money Fast) (feat. Styles P) (Produced by Lex Luger)
10. Aston Martin Music (feat. Drake & Chrisette Michele) (Produced by J.U.S.T.I.C.E. League)
11. All The Money In The World (feat. Raphael Saadiq) (Produced by The Olympicks)     ___-

Z-ro "Driving Me Wild" (produced by It's A Big E Beat)


ZRo Driving Me Wild DJLoVeHouston.com (Produced by ITs A Big E Beat

Big Boi - "Fo Yo Sorrows" feat. George Clinton

Free Big Meech_ BMF _Jeezy (ft Big Meech)

Dipset iz Back ! "Salute"

"Lose my Mind" remix Trae

Friday, June 25, 2010

"Trillionaire" Bun B feat T Pain



"I'm on Patron" Paul Wall

HEAT from the Streets Mixtape hosted by Me

Be on the look out as icollab with my homie up Philly! with the 1st Entry to the series "Street Credibility" it's gonna be a HoT Summer!

Nothin But HEAT Radio / Southern Muscle Radio

Get Ready For the Launch of Nothin But HEAT radio! with me ya Girl DJ LoVe Houston! 4 nights and 3 days a week as demand grows! more details coming sooooon! also I will be returning to Southern Muscle Radio July 3, 2010 @ 7pm Central Standard time! Tune in here for live stream with me and my boi Dj J3 #XsquadDj's

Showcasing yo HooD Block Party

Showcasing yo HooD Block party is approaching! This Monthly Block Party is the Hottest Block Party in the city! Wit ya girl on the 1's & 2's and The hottest Artist in the city Showcasing their HooD!Saturday TBD July 2010 at "Our Park" Alabama @ LiVe Oak (Shape Center Park) Hope to see you there! 25$ slots to perform still available get at me! Les gooooo!

ScoreBoard Sportsbar

Coming Soon  Saturdays! @Scoreboard  ya gurl will be on the 1's & 2's at Houstons' all new premiere spot for the north side "Scoreboard" Sports bar! aka The Northside Carro* Yessir it's goin dyne...Come fuck with me i10 @ Silber across the freeway from Drink Houston , Improv etc . yall know how I do it....Come show some LoVe.. more details coming soon

Monday, June 07, 2010

U Can't Ban the Truth- History in the making video of Town Hall Meeting June 3,2010

my Fav off "Kush & OJ: Mixtape "Tha Kid Frankie"

"Goodbye" Wiz Khalifa


Wiz Khalifa "Goodbye" music video from Salvatore Fullmore on Vimeo.

Marvin Isley of the Isley Brothers, Dead at 56‎

Marvin Isley, of the famed R&B/Funk group The Isley Brothers, died Sunday (June 6) in Chicago. He was 56.

According to various reports, the Rock n' Roll Hall of Fame inductee and bass player reportedly suffered from diabetes which resulted in Isley retiring in 1997 due to having his legs amputated.

Isley joined his older siblings in 1973 and played a vital role in revamping the group's sound on their third album, '3+3,' which featured chart-topping hits 'That Lady' and 'Summer Breeze.' 

Not one to rest on his laurels, Marvin ventured off from the group in 1984 alongside brother-in-law Chris Jasper, and brother Ernie to form the subgroupIsley/Jasper/Isley. The trio released three albums, including 'Caravan of Love' before disbanding in 1988.

Funeral arrangements for Marvin Isley were not disclosed at press time.

Young Jeezy “Stop Playin Wit Me”/”My Camaro”

Super Producer Mr.Collipark speaks

Trey Songz "MTV Unplugged"

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Trae "Light up" cover


Light Up 1

A legendary Houstonian known for co-founding the famous Frenchy's Fried Chicken restaurant has died.

                                                                                                  Percy "Frenchy" Creuzot, Junior died yesterday. A native of New Orleans, Creuzot and his wife, Sallie, opened Houston's first Creole restaurant "Frenchy's Po-Boy" back in 1969.
To compete with other restaurants in the area near University of Houston and Texas Southern University, Frenchy started making its famous seasoned fried chicken and won the stomachs of thousands.
He is survived by his wife, son, Percy III, daughter Angela and several grandchildren.

Movies: 50 Cent And Val Kilmer In “Gun” (Trailer)

                                           50 Cent is continuins continuing his movie streak with Gun, a film based on the lucrative world of guns. 50 wrote and produced the movie from his production company Cheetah Vision, while Jessy Terrero directed. Val Kilmer, Elise Neal (All of Us), Hassan Johnson (The Wire), LaLa Vasquez, and AnnaLynne McCord (Nip Tuck, 90210) also have roles in the movie, which is set to premiere sometime in 2011.